In Langscape Magazine Articles

Biocultural Diversity: Reason, Ethics, and Emotion

April 28, 2021

David Harmon

Kayapó women

Kayapó women gathering in the Amazon rainforest. Photo: Cristina Mittermeier, 2007

A few years ago, Luisa Maffi shared an email with me. It was from a writer, well-traveled and worldly, with a background in both anthropology and biology. He had spent considerable time in Mexico walking the countryside, thinking in the open air, trying to unlock aspects of his experience that were eluding his understanding. “I was looking,” he said, “for some link between human culture and biodiversity when I came across your work. It was something of a revelation.”*

*[Ed.] Those were the words of Aran Shetterly, a contributor to Langscape Magazine, Vol. 5(1) in 2016.

This was not the first time that one of us had heard from someone struggling with a deeply felt but inchoate sense that there is a basic interconnectedness which defines existence. Someone who was looking, looking, looking for a way to bring the bewildering variety of life on Earth into clear focus. To me, Terralingua’s highest achievement in its first two and a half decades is having developed a vocabulary—of both words and ideas—that helps people speak to themselves and others about these sorts of feelings. Terralingua offers people a framework in which they can come to their own understandings about the significance of diversity in nature and culture.

The framework is not just intellectual and emotional, but ethical. Around the world, Terralingua has inspired discussion of the intrinsic value of biocultural diversity and why we should work to ensure its continuation. People are reaffirming—or realizing for the first time—that a thriving interplay between nature and culture is essential to a good and vibrant life. The worth of this flourishing, this benevolent abundance, goes far deeper than whatever monetary or other practical value it may have.

Around the world … people are reaffirming—or realizing for the first time—that a thriving interplay between nature and culture is essential to a good and vibrant life.

Such lofty accomplishments were not what I imagined back in 1995, when I responded to a call for papers for a Symposium on Language Loss and Public Policy to be held in Albuquerque, New Mexico. I had been interested in the parallels and intersections between the natural world and human culture for some years, and had worked up some rather rudimentary data showing that the well-known latitudinal species gradient—the pattern in which biodiversity, or species richness, increases as you move away from the poles and towards the tropics—is similar, often remarkably similar, to the distribution of linguistic diversity. My aim was simply to share these data, and some tentative ideas explaining them, at a professional meeting of linguists to see if the arguments would fly. Fortunately for me, the organizers accepted my proposal. So I went and gave a paper called “Losing Species, Losing Languages: Connections Between Linguistic and Biological Diversity.” It was, if memory serves, pretty well received by the audience—although, as I expected, there were some skeptics who didn’t like the comparison.

After the session was over, I was sitting in the lecture hall when an audience member came up to me, practically bursting with excitement. My life was about to change, because it was Luisa Maffi. From her training in anthropology and ethnobiology she was well aware (as I was not) of the foundational work of the International Society of Ethnobiology and its declaration of an “inextricable link between cultural and biological diversity.” She had been looking for facts and figures to support the worldview embodied by that declaration, and my tables comparing species and language richness country-by-country, and cross-mappings of them, had fired her enthusiasm—which was as contagious as it was unquenchable. Before we left Albuquerque the idea for Terralingua had been born.

Community in Zimbabwe

Community members in Madzoke village, Zimbabwe, holding a watermelon in a field of finger millet. Photo: Saori Ogura, 2016

Now … the concept of biocultural diversity is solidly embedded in the world of academic research and debate. But more important than that, it is also the focus of a community of stewards.

Now, twenty-five years on, and thanks in great part to Terralingua and its supporters and collaborators, the concept of biocultural diversity is solidly embedded in the world of academic research and debate. But more important than that, it is also the focus of a community of stewards, “Indigenous Peoples and local communities with thriving governance systems, vibrant culturally-rooted stewardship practice, and secure territorial rights guided by community wellbeing and buen vivir.” These words, from another leading light of the biocultural diversity movement, The Christensen Fund (TCF), emphasize the strong strain of self-reliance that animates biocultural diversity stewards. Around the globe there are growing numbers of people who, as TCF once put it, “actively maintain what they care for alive in the world as well as in the human imagination.”

Darrell Kipp was one of them. Kipp, who died in 2013 at the age of sixty-nine, co-founded the Piegan Institute, which is dedicated to preserving the language of his people, the Indigenous Blackfeet Nation of Canada and the USA. In a guidebook widely used by other Native American language activists, Kipp hammered home that the only obstacle to setting forth was one’s own feelings of inadequacy and helplessness:

“Don’t ask permission. Go ahead and get started, don’t wait even five minutes. Don’t wait for a grant. Don’t wait, even if you can’t speak the language. Even if you have only ten words. Get started. Teach those ten words to someone who knows another ten words. In the beginning, I knew thirty words, then fifty, then sixty. One day I woke up and realized I was dreaming in Blackfeet.”

Kipp knew that anyone can contribute to the continuing flourishing of biocultural diversity. No credentials necessary; the only prerequisite is that you must care. A common respect for the value of diversity is what allows people from divergent viewpoints to work together, even if their viewpoints represent understandings and truth-claims about the world that are at odds with one another.

Anyone can contribute to the continuing flourishing of biocultural diversity. No credentials necessary; the only prerequisite is that you must care.

Here’s a personal example. My own orientation to the world is pretty much a conventional Western scientific/rationalist stance. I interpret things through a neo-Darwinian evolutionary lens, and I take a physicalist view of what constitutes reality. That’s my framework for understanding things. It certainly runs counter to the orientations of many of the friends and colleagues I’ve met over the years. To some, my views are nothing short of anathema because they consider them reductionist. However, because I recognize that my way of thinking is not the only valid way, or the only worthwhile way, I am able to work with and learn from people even though we may disagree, sometimes fundamentally so, over what constitutes “the facts”—not to mention their significance.

To me, a large part of the significance of biocultural diversity is that it is an elemental gauge of the livingness of Earth—the amount of life that we feel to be around us. Let me try to explain what I mean, from my rationalist perspective.

young Dusun man

A young Dusun man from the community of Ulu Papar, Sabah, Malaysia throwing his net to fish in the river. Photo: Inanc Tekguc, 2010

When we look out upon our planet—no matter where, including the most desolate environments imaginable—we see a veritable carpet of living things, a blossoming, buzzing profusion of beings, each busily engaged in the business of going on. This primal struggle to continue, this ur-impetus, is how the eminent physicist Erwin Schrödinger defined life itself. “What is the characteristic feature of life? When is a piece of matter said to be alive?” he asked. And then, in answer: “When it goes on ‘doing something,’ moving, exchanging material with its environment, and so forth, and that for a much longer period than we would expect an inanimate piece of matter to ‘keep going’ under similar circumstances.” This unceasing striving is necessary to maintain a fundamental level of physical order, which is the core condition of life itself.

A large part of the significance of biocultural diversity is that it is an elemental gauge of the livingness of Earth—the amount of life that we feel to be around us.

If we restrict our gaze to one set of Earth’s beings, the ones we call human beings, we find that much of what we do is the same: laboring to stay alive. But on top of this routine work, our species is distinguished by a proliferation, an almost wanton profligacy, of creativity. An urge to create that is the hallmark of the human life trajectory. Our creativity is registered in what my collaborator Jonathan Loh has called the “second flowering of the tree of life”—the emergence of human cultural evolution. Other species have culture, and we need to recognize that. But ours is the only one to have created such an astonishing variety of culture, embodied in languages, beliefs, behaviors, and more.

Other species have culture, and we need to recognize that. But ours is the only one to have created such an astonishing variety of culture, embodied in languages, beliefs, behaviors, and more.

So life, and the order its variety represents, is a ground truth of existence. But working against this biocultural generative power there is a countervailing truth: death—the ultimate disordering— comes in many varieties, too. Whether by disease or accident or senescence, it bursts forth from every nook and cranny of earthly existence, striking all alike without reference to justice or timeliness. The reason why stems from the ironclad second law of thermodynamics, which states that in a closed system entropy either remains constant or—what is overwhelmingly more likely—increases over time. Entropy is not a force, like gravity. It is a measure, a measure of disorder in the overall physical universe or a portion thereof, and is stated as a quantity: the higher the entropy, the more the disorder.

In fact, the inexorable fate of any individual organism is to reach a point where it is no longer capable of expending energy (which it must constantly extract from the surrounding environment) in order to stave off the natural tendency for entropy to increase. At that point, the organism reaches thermal equilibrium with its surroundings—which is to say, it goes stone-cold dead. Indeed, such a state of thermodynamic quiescence is how Schrödinger defined death from the standpoint of physics. Life, then, is simply the temporary preservation of order against the universe’s tendency towards increasing disorder, as measured by entropy.

shepherd

A shepherd heading home with his flock in North Pindos, Greece. Photo: Stamos Abatis, 2014

Similarly, human culture can be thought of as the intentional creation of order. This act of creation is not free-floating and generalized. Rather, it’s the product of a specific group of people who are situated in a temporal flow of evolutionary change. Human beings need to make culture in order to fend off cosmic disorder. The alternative, as Yeats famously lamented, is to descend into “mere anarchy” where “things fall apart; the centre cannot hold.” Still, the cultures we make are not immutable: they are handed down to our descendants who recalibrate them according to their own understanding of what constitutes the order they need. That understanding, while not unchallengeable, ought to be at its core autonomous. Every culture and language community ultimately has the right to self-determination, while at the same time being open to critique from other cultural viewpoints.

So then, biocultural diversity—the evolutionary marriage of nature’s fecundity with human creativity—is self-evidently a badge of existential success. All of the “beautiful unusual biocultural things” (again, as TCF once put it) are rare—no, very rare—examples of things in the world that are in the world precisely because they have so far managed to stave off the ultimate disorder that is death.

Biocultural diversity—the evolutionary marriage of nature’s fecundity with human creativity—is self-evidently a badge of existential success.

My conjecture is that we, on some deep level, sense this success and register it as a feeling of joyfulness at being alive. The more we come to appreciate the variety of life in nature and culture, the deeper this feeling of livingness goes. I think this feeling, or something very much akin to it, is what motivates biocultural stewards.

women’s group performing

A women’s group performing their mesmerizing water music in Namasari village, Gaua, Vanuatu. Photo: Cristina Panicali, 2013

Now, I realize that someone could be dubious about my arriving at such a conclusion through, as they might see it, a rationalistic totting-up of a cosmic ledger book where entropy is in one column and biocultural diversity is in another. I hope I will be understood as meaning that the process is nothing so simple as that. But equally I hope that defenders of biocultural diversity will always be open to the fertile interchange of perspectives that comes when Western science and other ways of understanding encounter one another.

Here’s a fitting example of what I mean. Sometime back, I was sent an interesting academic paper, exploring whether cultural relativism is impeding nature conservation (as practiced from a Western scientific perspective). It was published along with a vigorous response from a biocultural perspective, citing Luisa Maffi among others. The authors of these papers were in deep disagreement, yet they produced a respectful, useful exchange of views.

As I was reading the biocultural response, it occurred to me that over two decades ago such a thing might not even have been possible. The fact that it now is—that the perspective of biocultural diversity is necessarily part of the discussion—is, I think, something we can credit in no small measure to Terralingua. And for that, we all ought to be grateful, no matter what our orientation to the world may be.

Ice fishing

Ice fishing in the Kalix archipelago of northern Sweden. Photo: Clare Benson, 2016.


Harmon, DavidDavid Harmon is one of the co-founders of Terralingua and currently serves as an executive director of the George Wright Society. He is the author of In Light of Our Differences: How Diversity in Nature and Culture Makes Us Human and co-authored Sharing a World of Difference with Luisa Maffi and Tove Skutnabb-Kangas, and, with Jonathan Loh, Biocultural Diversity: Threatened Species, Endangered Languages.