“As a child,” says D’ulus, “I was beaten at school on a daily basis. My classmates thought I was ugly. They did not like the shape of my eyes, and my ears were too big for them. I don’t hate my bullies; I hug them and shake their hands because no matter how bad circumstances may be, you need to carry the torch of light. This is what makes you an artist and a human being.”
No matter how bad circumstances may be, you need to carry the torch of light. This is what makes you an artist and a human being.
Those eyes . . . No PhD in ophthalmology could explain with confidence what there is in them. There is something so deep, so beautiful, and so powerful that hard science simply couldn’t capture it.
I remember the day when I first met D’ulus more than five years ago, on the shore of the Aldan River in the heart of Siberia. There stood a boy, a little Shaman — with his drum painted with little Reindeer-spirits — frozen in the middle of the white world. Like a sculpture, he was an integral part of an Arctic landscape — that is, until he started to drum-dance.
His voice, dance, and movement flickered against the –50 ˚C cold, making me feel as if I were on fire. In a second he turned into a flint, a flint of the Arctic, creating sparks whose light can empower us to see not only outward but inward as well.
For the next three days, I couldn’t concentrate on anything but D’ulus.
I made a series of portraits of him as we traveled together with his Even grandfather Egor Egorovich Egorov along the bank of the Aldan River. From his grandfather, a great Even hunter, I learned the incredible life story of D’ulus — a story of love, compassion, and acceptance. There is a vast mix of Arctic bloods running in his veins, making him a living embodiment of Siberia.
Meeting D’ulus and becoming his friend was a gift. But a greater gift has been watching D’ulus rise from his childhood to critical acclaim as one of the most talented young actors in Yakutia, who uses his unique voice to open up stories we’re not used to hearing and to turn the spotlight on the communities he comes from.
In this film, D’ulus plays the lead role of a stuttering boy, living during World War II in the heart of Gulag land.
Recently, D’ulus has been the face of an Arctic Without Borders exhibition in Hawaii. “I have a feeling that he can see through us, can see through mountains and rocks, can see hidden figures,” said Aunti Puna, one of the most respected elders on Kauai. People of Kauai invited D’ulus to come and visit, be their guest, gather with elders and children, and be one of them.
“I want to be many things,” says D’ulus, “not just an actor or a drum-dancer. As an artist, I know that my mission is to break stereotypes that we are born into. I learned a lot from Nature and from my grandparents, with whom I grew up. We didn’t have comforts at our home, but I had plenty of love despite the fact I had been adopted as a child.”
As an artist, I know that my mission is to break stereotypes that we are born into.
This story is one of four offered by Arctic Indigenous youths in the form of interviews with Arctic explorer, artist, and photographer Galya Morrell of Avannaa, an organization whose mission is to carry out “an eyewitness cultural expedition to the world’s most isolated communities affected by climate and societal change.” We are deeply grateful to Galya for making it possible for these amazing youth to share their voices with the world. And we’re all the more grateful in that Galya did so under what turned out to be unexpected difficult circumstances — a clear testimony to her passionate commitment to the younger generations of Arctic Indigenous Peoples.
D’ulus Mukhin, 19, is an Even actor and drum-dancer from Yakutia, Siberia. Acclaimed in Yakutian cinema, he uses his unique voice to open up stories that we’re not used to hearing. He says his mission is to break the stereotypes people are born into.
An Invitation to Young Indigenous People
The Indigenous Youth Storytellers Circle is a year-long project (2019) linked to Terralingua’s flagship publication, Langscape Magazine. We aim to collect and publish personal stories from young Indigenous people who are involved with one or more of the following four Focus Areas:
The Indigenous Youth Storytellers Circle is recognized as an official project of the United Nations’ International Year of Indigenous Languages, so your story has the potential to reach a global audience. Read more stories from Indigenous Youth.
If you are a young Indigenous person who would like to tell about your experiences connecting to your ancestral languages, cultures, and lands, we want to hear from you!