WORDS AND IMAGES Mariia Ermilova “Nature is painting for us, day after day, pictures of infinite beauty if only we have the eyes to see them.”   — John Ruskin . I want to tell you the story of a Japanese craft that impressed me for its deep connection with the culture and customs of the people. As

This page complements the photo essay “Yamani: Voices of an Ancient Land,” which presents a unique musical project by the same name, developed by six extraordinary Australian Indigenous women. They came together to support the revitalization of Aboriginal languages and the strengthening of Indigenous identity by creating, singing, and recording songs in their six different

Barbara Derrick About the Artwork In my artwork, I depict Tsilhqot’in stories, myths, beliefs, and culture as they are, life as it is for my people. I was born an artist, a dreamer, and a storyteller. The grandmothers say that women hold the genetic ties to the DNA of our mother’s mother. I am my

Daniel Henryk Rasolt with artwork by Vannessa Circe   Traditional Indigenous territories are complex, adaptable, and resilient socio-ecological systems that contain the majority of the world’s biocultural diversity. But can Indigenous Peoples play a leading role in both combating climate change and preventing the next pandemic? Right now, there is a fair amount of rhetoric

Sylvia Pozeg About the Artwork My painting was created in gratitude to Croatia and as a meditation on reclaiming my heritage, from my own personal connection; no longer filtered through hazy childhood memories, not assimilated into some synthetic norm. I finally got to feel the storied land that shaped my ancestors, as strangely familiar as

Chonon Bensho with Pedro Favaron When I was born, my parents registered my birth in the town of Yarinacocha, giving me the name Astrith Gonzales Agustín. But in Shipibo-Konibo, my mother tongue, my name is Chonon Bensho, which means “the swallow from medicine orchards.” I am heir to the knowledge of my ancestors. My husband’s

Vova Iadne (Nenets, Russian Federation), interviewed by Galya Morrell I started carving when I was five. But even before that, I saw mammoth tusks in our Nenets tundra and played with them: they were my toys. I watched my father carving. I saw plain bones magically transforming into animals, humans, and spirits. I was intrigued

Khadry Okotetto (Nenets, Russian Federation), interviewed by Galya Morrell I was born in the tundra and grew up with the animals. My first language was the language of reindeer and of Arctic birds. I was raised by my grandparents, like everybody else here. I was a lucky guy. As an artist, I see my main mission

Katrina Trofimova (Even, Russian Federation), interviewed by Galya Morrell For me, art is a mere instrument of survival. I was born in an Arctic village, where fathers and brothers were vanishing faster than ice. I was running away from violence, hiding in nature, and dreaming of a beautiful world where I could live one day.

by Dely Roy Nalo and Thomas Dick Traditional: Habits and ways built over the years that are flexible and change in relation to new circumstances and situations Entertainment: An opportunity for the people to express and adjust, to adapt, safeguard kastom music and acts using contemporary arts in the face of overwhelming foreign influences Kastom