Video and text by Laissa Malih (Kenyan Laikipian Maasai), age 25 The Ewaso Ng’iro Camel Caravan is a five-day annual journey for climate change adaptation and peaceful co-existence along the Ewaso Ng’iro River in Kenya. The purpose is to promote shared understanding of threats facing the river, along with the cooperation needed to lessen them. Camels are used

Text and photos by Yolanda López-Maldonado (Yucatec Maya, Mexico) . “This is the account of how all was in suspense, all calm, in silence; all motionless, still, and the expanse of the sky was empty. . . . There was nothing standing, only the calm water, the placid sea, alone and tranquil. Nothing existed.”   — Popol

by Joakim Boström and Anna-Märta Henriksson (Kalix, Sweden) and Marie Kvarnström In the villages of the Kalix archipelago in the far north of Sweden, the community-based organization Kustringen is aiming to conserve local and traditional knowledge, practices, and innovations related to fishing and archipelago life in general. The archipelago lies in the Bothnian Bay, the

Story by Kewekhrozo (Peter) Thopi, age 30, Chakhesang Naga (India); and Tshenyilou (Lele) Chirhah, age 26, Chakhesang Naga (India) Nagaland is a small mountain state in the North East Region (NER) of India. NER is one of the world’s biodiversity hotspots, and the diverse ethnic communities of the region have significantly contributed to sustaining this

by Lisba Yesudas & Johnson Jament (Mukkuvar, India) Marine biodiversity and cultural diversity are deeply interwoven in the coastal fishing communities of Trivandrum, Kerala, South India. This is the story of our ancestors, the story of our fellow community members; it is the story of our life! It is about our connection with the sea,

by Soner Oruç & Ceren Kazancı . . In 2016, we set off on a journey to the highlands (yaylas) of the Georgia–Turkey border region. We were very excited and eager to learn new things. We wanted to breathe some fresh mountain air, drink from pasture springs, and get in touch with the pastoralists of the

Vova Iadne (Nenets, Russian Federation), interviewed by Galya Morrell I started carving when I was five. But even before that, I saw mammoth tusks in our Nenets tundra and played with them: they were my toys. I watched my father carving. I saw plain bones magically transforming into animals, humans, and spirits. I was intrigued

Khadry Okotetto (Nenets, Russian Federation), interviewed by Galya Morrell I was born in the tundra and grew up with the animals. My first language was the language of reindeer and of Arctic birds. I was raised by my grandparents, like everybody else here. I was a lucky guy. As an artist, I see my main mission

D’ulus Mukhin (Even, Russian Federation), interviewed by Galya Morrell “As a child,” says D’ulus, “I was beaten at school on a daily basis. My classmates thought I was ugly. They did not like the shape of my eyes, and my ears were too big for them. I don’t hate my bullies; I hug them and

Katrina Trofimova (Even, Russian Federation), interviewed by Galya Morrell For me, art is a mere instrument of survival. I was born in an Arctic village, where fathers and brothers were vanishing faster than ice. I was running away from violence, hiding in nature, and dreaming of a beautiful world where I could live one day.