Story by Somnath Dadas (Dhangar), age 22, India, with Kanna K. Siripurapu Chasing My Dreams I’m Somnath Dadas (22), a young Dhangar (shepherd) man, and this is my journey of self-discovery, a story of chasing my dreams and returning to my cultural roots. I’m a native of Kothale village of the Indian state of Maharashtra,
Text and photos by Yolanda López-Maldonado . “This is the account of how all was in suspense, all calm, in silence; all motionless, still, and the expanse of the sky was empty. . . . There was nothing standing, only the calm water, the placid sea, alone and tranquil. Nothing existed.” — Popol Vuh . . It’s rainy season in
by Soner Oruç & Ceren Kazancı . . In 2016, we set off on a journey to the highlands (yaylas) of the Georgia–Turkey border region. We were very excited and eager to learn new things. We wanted to breathe some fresh mountain air, drink from pasture springs, and get in touch with the pastoralists of the
Text by Joe Akerman (T’awaxwultun) | Photos by Xwaaqw’um Project . Maakw’stem ‘uw huliitun tst. Maaqkw’stem ‘uw slhilhukw’tul “Everything is what sustains us. Everything is interconnected.” This is a story about coming home to a Quw’utsun (Hul’q’umi’num, Coast Salish) village site to heal. To heal the land, relationships with one another, and the people and communities
by Jennifer McRuer and Nuevas Voces . . .. . . . . . . . . . . . This photo gallery is an extension of Story Map: Youth Reconnect to Place and Biocultural Heritage in Colombia by Jen McRuer. << Previous | Next >> . Volume 6, Issue 2 | Editorial | Table of Contents | Subscribe | Buy | Donate
by Jennifer McRuer . . We are all stories … of connection, separation, dependence, interdependence, shaped by places, people, memories, perceptions, and dreams. How we connect with the places we call “home” is the essence of this photo essay — particularly, how biological and cultural relationships contribute to our well-being, and how our relationships inform common visions for
Photos and artwork by Mariia Ermilova . . . . . . . . . This photo gallery is an extension of the full story about tsurushibina. . Volume 6, Issue 2 | Editorial | Table of Contents | Subscribe | Buy | Donate Mariia Ermilova is pursuing a PhD degree in Landscape Planning at Chiba University’s Graduate School of Horticulture, Japan. Part of her
Text, photos, and artwork by Mariia Ermilova “Nature is painting for us, day after day, pictures of infinite beauty if only we have the eyes to see them.” — John Ruskin . I want to tell you the story of a Japanese craft that impressed me for its deep connection with the culture and customs of the people.
by Jean Thomas . . For tens of thousands of years, the people of Papua New Guinea (PNG) have hunted animals for food. They used bows and arrows, made traps, and used poison vines. In the 1950s this all changed for the Wape people of the Torricelli Mountain Range, a remote area in northwestern PNG.
by Hilary Vidalakis . There’s a tiny subculture of place-loving men and women who specialize in burning the land. “Prescribed fire,” they call it, though the term strikes me as arrogant; after three winters spent elbow-deep in the craft, lighting fires across the swamps and mountains and sandhill forests of Georgia, and despite the physical